But who is this scientist who publishes his humor on his social account?
He was at it again this weekend, with a « duck prank », on his Twitter account:
« Lead us to your leader. No, not that one. Nor that one either. So you can’t do better after being responsible for 65 million years?«
Writing a page about this person has been on my mind for some time. So with the news from the James Webb telescope I have no excuse not to dive in.
Curiosity never killed a cat, as the English saying goes. Nor a well-supervised young child. And curiosity and imagination are the essence of learning and education – or should be.
In schools journalism this should be one of the primary motivations for the profession, followed by the ability to produce an accurate but engaging account of an event or experience. If we add a personal touch or humor to it, a report explodes in broad daylight.
During my professional activities in the space field I discovered many very demanding and very often original people: in their approach to scientific communication, by being offbeat, and personalising accounts and to use a modern expression, "full of punch" . (Well, some also appreciated Guyanese rum!) With these qualities, they fulfill their ambitions, their work and their discoveries are better known.
(I've also met and worked with scientists or engineers who just couldn't come down from their "ivory tower". They could cross out any "unusual" text submitted to them for validation.)
Since the beginning of the James Webb Space Telescope (JSWT) program I have been gleaning with great pleasure a lot of information from a person I have never met, Mark McCaughrean. He is Principal Adviser for Science and Exploration at the European Space Agency, in charge of communication and member of the James Webb Space Telescope Multidisciplinary Group. He is based at ESTEC, ESA's research and technology center in Noordwijk, the Netherlands. Where I myself participated in ESA's communication efforts.
I was not aware of his curriculum vitae (which I discovered on his personal website markmccaughrean.net. But when I read his explanations about JSWT, or his travels, he is obviously a very interesting, learned and engaging person.
From his Twitter account (@markmccaughrean), I take this fascinating example.
Almost all Webb Telescope images and data after release are to put it simply « copyright free ». Everyone can jump in to analyse them. And « play with » the data. That’s what McCaughrean has done with the infra-red images of the Cartwheel Galaxy, 500 light years from us. Image released by NASA on August 3.
I am the Senior Advisor for Science & Exploration at the European Space Agency. I am also responsible for communicating results from ESA’s astronomy, heliophysics, planetary, and exploration missions to the scientific community and wider public. After studying at the University of Edinburgh, I worked at the NASA Goddard Space Flight Center, astronomical institutes in Tucson, Heidelberg, Bonn, and Potsdam, and the University of Exeter, before joining ESA in 2009. My scientific research focuses on the formation of stars and their planetary systems, and I am also an Interdisciplinary Scientist for the NASA/ESA/CSA James Webb Space Telescope.
I am a co-founder of Space Rocks, which celebrates space exploration and the art, music, and culture it inspires through public events and more.
As seen by Hubble in 1995. Not much ‘seen’ around the Cartwheel
But everying appears in the infrared image from JSWT
"To entertain and enlighten you, I had fun doing image fades (in animated GIF format) from the one produced in Webb's infrared image and one from the Hubble Telescope taken in 1995. Over these 27 years, it is possible to see a lot of movement from closer stars. The main one is the very bright star at the top right of the constellation, just outside its main ring. But there are several that move at a similar pace and in the same direction. Another, left above the nucleus, just inside the ring."
We can imagine the man playing, tweaking the settings of his imaging application. He's a scientist but still with a child's curiosity and playfulness.
Here is the animated GIF (looped) produced by Mark McCaughrean.
Framed in red are the six stars that have obviously moved over the 27-year period.
Mark has some possible explanations but specifies that it would be too risky to draw conclusions, about the changed position of these stars.
I come back to the subject of science communication experts. Among those I was able to meet several times, Bob Fosbury, emeritus astronomer, former head of The Hubble Coordination at the European Southern Observation (ESO) in Garching, near Munich.
Passionate about all aspects of light and photography,in space or on Earth, it was Bob Fosbury who worked to the Chariot Wheel image, taken by Hubble 27 years ago. And who probably also played to improve it in 2010. Always in contact, I find him regularly with unusual images, landscapes, nature, all examined and seen in another light.
Light reflectance from a beetle
The advantages of a bird’s very wide vision
Mark McCaughrean is often travelling, grumbling about the disruption of his plane flights, or car rentals. This weekend he was in London on Saturday for a presentation of James Webb's results at the International Youth Science Forum (LYSF).
After this meeting he felt a void, inviting anyone around to have a drink and chat with him. But he must have disappointed those who responded.
Because he finally decided to go to a concert at the Royal Albert Hall. With a program of Elfman, Gershwin, & Ravel.
"If you see in the photos, near the stage, a guy in a black polo shirt with the colors and logo of James Webb, who has a wide smile trying not to cry while listening to "Rhapsody in Blue. Oh good..."
I now have a discovery to make: to meet this man and see whether he comes up to these first impressions.
Article by Philip Short published in Time magazine on 3rd August 2022. Adapted from Philip Short’s new biography, Putin. Published by Henry Holt. Short is the author of Putin. He also has written other biographies including Mao: A Life and Pol Pot: Anatomy of a Nightmare. He had a long career as a foreign correspondent in Moscow, Beijing, and Washington, D.C., for the BBC, the Economist, and the Times of London.
The Miscalculations and Missed Opportunities that Led Putin to War in Ukraine
When Bill Clinton telephoned Vladimir Putin on New Year’s Day, 2000, to congratulate him on his appointment as acting President, Putin told him: “There are certain issues on which we do not agree. However, I believe that on the core themes we will always be together.” Clinton was equally upbeat. Putin, he said, was “off to a very good start.”
Later it would be said that the American President had been naïve and that Putin’s protestations of friendship with the West were a masquerade from the start. But Clinton was not alone in seeing the Russian President as a valuable partner in the post-Cold War world. Britain’s Prime Minister, Tony Blair, thought “Putin admired America and wanted a strong relationship with it. He wanted to pursue democratic and economic reform.” The Secretary of State, Madeleine Albright, pronounced him ‘a Russian patriot’ and Clinton’s successor, George W. Bush, found his support after 9/11 simply “amazing… He even ordered Russian generals to brief their American counterparts on their experiences during their Afghanistan invasion in the 1980s… I appreciated his willingness to move beyond the suspicions of the past.”
On both sides, however, those suspicions never entirely went away. The Warsaw Pact had been dissolved and the Soviet Union no longer existed. “But NATO still exists,” Putin complained. “What for?” From the Kremlin’s standpoint, it was a fair question. “We all say,” he went on, “that we don’t want Europe to be divided, we don’t want new borders and barriers, new ‘Berlin Walls’ dividing the continent. But when NATO expands, the border doesn’t go away. It simply moves closer to Russia.”
The bureaucracy on both sides had a lot to answer for. The Pentagon, under Donald Rumsfeld, was allergic to anything which might constrain America’s freedom to act as it wished. The Russian General Staff was obsessed with the idea that NATO was planning to deploy troops along Russia’s borders. Putin himself acknowledged that “many things that seem fine in negotiations often end up bogged down in practice.” But even if the blame were shared, the West often gave the impression of deliberately dragging its feet. Francis Richards, who at that time headed GCHQ— the British equivalent of the U.S. National Security Agency—remembered: “We were quite grateful for Putin’s support after 9/11, but we didn’t show it very much. I used to spend a great deal of time trying to persuade people that we needed to give as well as take . . . I think the Russians felt throughout that [on NATO issues] they were being fobbed off. And they were.”
The result was a growing sense among the Russian elite that Putin was being played. Vladimir Lukin, who had been Yeltsin’s first ambassador to the U.S., protested: “One sided steps cannot be taken forever . . . Decisions should go both ways. They should not end just in smiles and encouragement.” There was grumbling, not only in the army and navy but also within the Presidential Administration, at what was termed a “policy of concessions” which brought Russia no tangible benefit.
Putin held firm. Russia had made “a strategic choice,” he said: “Russia today is cooperating with the West not because it wants to be liked or to get something in exchange. We are not standing there with an outstretched hand and we are not begging anyone for anything. The only reason that I pursue this policy is that I believe it fully meets [our] national interests . . . A rapprochement with the West is not Putin’s policy, it is the policy of Russia.”
By the end of his first presidential term, in 2004, that position became more difficult to defend. Russia had done everything Bush had asked for and more: it had shared intelligence, given the Americans overflight rights and encouraged its allies to provide base facilities. But what had it got in return? America had insisted on abrogating the Anti-Ballistic Missile Treaty, rather than modifying it as the Russians had proposed; it had gone ahead with plans for a national missile defence programme over Russian objections; NATO enlargement was continuing apace and would soon reach Russia’s borders; and Russia’s concerns about America’s invasion of Iraq, which were shared by many of America’s own allies, had been summarily dismissed. The final straw had been U.S. support of the Orange Revolution in Ukraine, which to the Kremlin was tantamount to promoting regime change on Russia’s borders.
Russian President elect Dimitry Medvedev (R) and US President George W. Bush talk during a bilateral meeting at the President’s summer retreat Docharov Ruchei in Sochi, Russia, on April 06, 2008. Artyom Korotayev-Epsilon/Getty Images
American officials saw things rather differently. They focused instead on Russian backsliding over human rights and democracy issues. But few Russians thought that that was any of America’s business. Even liberals who excoriated Putin’s regime jibbed at heavy-handed foreign criticism. Putin spoke for a wide segment of Russian society when, commenting on American criticisms of the Russian elections, he said: “we are none too happy about everything that happens in the United States either. Do you think that the electoral system of the USA is perfect?”
On the surface, the relationship remained correct. But there were worrying undercurrents. Bush’s administration, Putin felt, wanted to keep Russia down and was prepared to go to almost any lengths to do so. Whether, or to what extent, that was true was almost beside the point. What mattered was perception, and the leaders’ perceptions of each other’s goals were starting to diverge.
When Putin finally gave vent to his grievances in public in a vituperative speech at a security conference in Munich in February 2007, American officials were stunned. In fact, he said little that he had not said before. What had changed was the tone. What Putin liked to call the “false bottom” to U.S.-Russian relations—the pretence that all was well and that Russia and America were solid, strategic partners with just a few trifling tactical problems—had been discarded. In simple terms, as Bill Burns, then U.S. Ambassador in Moscow, put it in a cable to the White House, the message was: “We’re back, and you’d better get used to it!”
America, Putin had concluded, was not listening to Russia’s concerns and would not do so until given a salutary shock. “It doesn’t matter what we do,’ he told a group of Russian journalists a few days later. ‘Whether we speak out or keep silent – there’ll always be some pretext for attacking Russia. In this situation, it is better to be frank.” The West saw itself as “shining white, clean and pure” and Russia as “some kind of monster that has only just crawled out of the forest, with hooves and horns.”
Reflecting, a decade after these events, on the steady, seemingly ineluctable deterioration of relations between the U.S. and Russia after Putin came to power, Ambassador Burns concluded that both countries had been deluding themselves all along. “The Russian illusion,” he thought, “[was] that somehow they were going to be accepted, even though the power realities had changed enormously, as a peer, as a full partner.” The American illusion was that “we could always manoeuvre over or around Russia. There was bound to be a time when they were going to push back . . . A certain amount of friction and a certain number of collisions were built into the equation.”
In retrospect, what is surprising is not that Russia’s relations with America finished up as a train wreck, but that it took so long to happen. Putin was not a natural liberal, but he was a realist and, contemplating the available alternatives after the collapse of the Soviet Union, he concluded that cooperation with the West was the only sensible policy. Culturally, spiritually and, in part, geographically, Russia belonged with Europe. It had nowhere else to go. The Russian elite did not send their children to study in Beijing or Shanghai. They sent them to British or American schools and universities. Russian oligarchs did not park their ill-gotten gains in Seoul or Bangkok, they invested in London or New York and bought property in Knightsbridge or Chelsea, Manhattan or Miami.
There was another more personal reason for Putin’s reluctance to abandon the rapprochement with the West. In trying to promote cooperation with Russia’s former adversaries, he had overridden the reservations of many of his closest colleagues. The siloviki, the state bureaucracy and the military had been dubious from the outset about the wisdom of trusting Western governments to engage with Russia as genuine partners. Putin was in no hurry to admit that they had been right and he had been wrong.
The U.S. was equally disappointed. The belief that Moscow would become a partner, if not an ally, espousing Western values in an American-led world, which had animated U.S. policy towards Russia since the early 1990s, had proved vain. American exceptionalism found to its surprise that it was facing a Russian exceptionalism which was no less tenacious.
Could it have been done differently? In theory, at least, the answer must be yes. Were there missed opportunities, which, had they been taken, might have set relations on a different road? No doubt. Would the outcome then have been different? Perhaps, but not necessarily; there is no way to be sure. In practice the ideological convictions of the Bush administration, shared not just by Cheney and Rumsfeld and Wolfowitz but also by Bush himself, made agreement all but impossible. By 2008, as Putin ended his second four-year term as Russia’s leader, the rift had become too deep to heal.
Over the next ten years, Putin’s disillusionment with the U.S. deepened. Most of his foreign policy initiatives during his third term, from 2012 to 2018, were payback for what the Kremlin regarded as anti-Russian moves by the West.
Russia’s annexation of Crimea was payback for Kosovo, which, with Western support, had seceded unilaterally from Russia’s ally, Serbia. To Putin, that was the first of the West’s three cardinal sins—the others being NATO enlargement and America’s withdrawal from the Anti-Ballistic Missile Treaty—that had destroyed both sides’ hopes of building a better, more peaceful world after the collapse of the Soviet Union.
The decision to grant asylum to Edward Snowden in 2013 and the ban on Americans adopting Russian children were payback for the Magnitsky Act, which allowed America to impose sanctions on Russian officials suspected of corruption or human rights abuses.
Russia’s intervention in Syria in 2015 on behalf of that country’s brutal President, Bashir al-Assad, was payback for U.S. intervention in Libya and Iraq.
Russia’s interference in the U.S. presidential election in 2016 was payback for America’s efforts to spread—or “impose,” as Putin preferred to say—its own system of values to other nations.
But payback was not an end in itself. It was part of a broader response to the economic and military pressures which the U.S. and its allies were exerting on Russia. Above all, it was an attempt to assert Russia’s place as an independent actor in an increasingly multipolar world in which, in Putin’s view, the United States was destined to lose its role as the dominant power.
Over the course of his third term, Putin’s thinking about Russia’s relationship with the West crystallised, forming, in his mind at least, a coherent picture of all that had happened in the 25 years—the “wasted years,” as he now put it—since the Soviet Union’s demise.
The relationship had started going wrong from the very beginning, Putin thought. Instead of establishing a new balance of power in Europe, the West had created new divisions. Its claim that NATO had no choice but to accept new members from Central and Eastern Europe was phoney, Putin argued. It was true that other countries had the right to apply, but that did not mean that the existing members were obliged to accept them if they thought it was contrary to their own interests. “They could have said: “we are pleased that you want to join us, but we are not going to expand our organisation because we see the future of Europe differently” . . . If they had wanted to, they could have [refused]. But they didn’t want to.”
Putin was not wrong. The NATO Charter says only that the member states “may invite any other European state in a position to . . . contribute to the security of the area.” There is no obligation to do so.
But for Washington, NATO enlargement was a means of consolidating America’s hold over its European allies, even though it implied obligations which, were war ever to break out, the U.S. might be reluctant to fulfill. For countries like France and Germany, the advantages were less obvious. It was hard to see how their security would be enhanced by a commitment to defend the Baltic States, let alone Georgia or Ukraine, from possible Russian aggression. But in the early days, amid the euphoria which marked the end of the Cold War, when the West assumed that Russia was destined to become part of the American-led world and Moscow was far too weak to resist, none of America’s partners thought it worthwhile to object. The result was that NATO’s military infrastructure arrived at Russia’s borders.
What would America have done, Putin wondered, if it had been the other way round—”If Russia had placed missile systems on the U.S.–Mexico border or the U.S.–Canadian border?” The answer was self-evident. When Khrushchev had attempted to install Soviet missiles in Cuba in 1962, the world had been brought to the brink of nuclear destruction and the issue remained so fraught that, 60 years later, the United States continued to subject the island to an economic blockade.
American officials reject such comparisons. The United States, they say, supported NATO enlargement not to threaten Russia but to reassure America’s European allies. The reality was more galling and more prosaic. The U.S. acted as it did because it could.
“Our biggest mistake,” Putin told a western scholar, “was to trust you too much. Your mistake was to take that trust as weakness and abuse it.” It was a lesson, he said. If a bear stops defending its territory, “someone will always try to chain him up. As soon as he is chained, they will tear out his teeth and claws . . . When that happens, . . . they will take over his territory . . . and then, perhaps, they will stuff him . . . We must decide whether we want to keep going and fight . . . Or do we want our skin to hang on the wall?” In Putin’s metaphor, the bear’s teeth and claws were Russia’s nuclear arsenal. But it was also intended in a wider sense. When he looked back over the previous two decades, he saw—or claimed to see—an America which, from the outset, had set out to dupe Russia.
As Russia’s relationship with the West became increasingly hostile, the backsliding on democracy at home, which American officials had been complaining about ever since Putin’s first term, became more pronounced. Pro-western liberals were excluded from decision-making. Those advocating democratic values were marginalised. The result was a vicious circle. The more the siloviki were in the ascendant, the more internal repression intensified and the worse relations with the West became. Starting in 2018, the regime transitioned from a relatively free authoritarian system to a closed dictatorship, not quite totalitarian but close.
Putin’s rhetoric changed, too. The West, he charged, had backed “an international terrorist invasion of Russia… This is an established fact and everybody knows it.” It was the language of Soviet propaganda from the 1960s and ’70s. Even though it was transparently untrue, it fitted the Kremlin’s narrative of a hostile western world, headed by a waning hegemonic power, which was trying by fair means or foul to tear Russia apart as it struggled to fight off its own inexorable decline.
By 2019, Putin was starting to think seriously about a political transition to a new generation of Russian leaders. He introduced constitutional changes giving himself the possibility of remaining in power almost indefinitely. But that was a feint to prevent a struggle for the succession. He had no desire to die in harness, but nor did he want to preside over the squabbles of his entourage vying for influence against the day when he might step down.
Firefighters extinguish a fire that broke out after the shelling, as the Russia-Ukraine war continues in Opytne, Donetsk Oblast, Ukraine on August 01, 2022. Diego Herrera Carcedo-Anadolu Agency/Getty Images
In the meantime, there was one last piece of unfinished business he wanted to resolve: the status of Ukraine.
Putin had had a fixation on Ukraine since long before he became President. In 1991, it had been Ukraine’s insistence on declaring independence that had triggered the break-up of the Soviet Union. Twelve years later, in 2003, Ukraine had dealt him the first serious political defeat of his presidency when the Orange Revolution prevented the election of the pro-Russian Viktor Yanukovych as Ukraine’s head of state. After the annexation of Crimea, in 2014, Putin had hoped that the Minsk accords would lead to the creation of a federal system effectively guarantee the country’s neutrality. But that had not happened. Instead Ukraine became a military outpost of the western alliance, not formally a member but in practice a close partner, hard up against Russia’s border.
That was the pretext, though not the fundamental reason, for the war that Putin launched on February 24. It was not just a matter of bringing Ukraine to heel. It was to show that the U.S. was powerless to prevent it
As the Russian Foreign Minister, Sergei Lavrov, put it: “This is not actually, or at least, not primarily, about Ukraine at all. . . It reflects the battle over what the [future] world order will look like. Will it be a world in which the West will lead everyone with impunity and without question or will it be something different?”
This was partly spin. Portraying the conflict as a proxy war in which Russia was fighting on behalf of the non-aligned nations of the world to end American hegemony made it a much easier sell to Russian public opinion as well as to countries like China and India which favoured a multipolar global system. If Russia succeeded, Putin believed, it would fatally undermine the structures of European security which had been built up under American leadership since the end of the Cold War.
The Biden administration insisted that Ukraine was a special case because it was not a member of the alliance and that, were any NATO state attacked, America would rush to its defence. But how much reliance could countries like Poland and the Baltic States place on such assurances when NATO was so risk-averse that it refused to establish a no-fly zone to protect Ukrainian cities for fear of nuclear escalation? Putin’s charge that the West was happy to fight to the last Ukrainian was dismissed as propaganda in America but it gave pause to leaders in Eastern Europe. Would the United States really risk nuclear annihilation to defend Warsaw or Tallinn? The question was not new but the invasion of Ukraine put it in a harshly different light. To Putin, even if Russia had failed to prevent NATO enlargement, it might yet sow doubt about the alliance’s reliability, undermining faith in America’s support for other states on Russia’s borders, NATO members or not.
Putin plays a long game. Throughout his time in office, whenever he was faced with what he saw as an existential choice between antagonising the West and preserving his own power and Russia’s position in the world, the latter always prevailed. That was so when he clamped down on the oligarchs in 2003 and when he annexed Crimea a decade later. On each occasion, he accepted the economic damage to Russia as the price to be paid. In 2022, the invasion of Ukraine followed the same pattern.
At first sight, it appeared that he had grossly miscalculated. The West emerged with a new sense of purpose. Ukraine’s President, Volodymyr Zelensky, proved an inspirational leader. Russia’s economy was battered by sanctions, though less severely than the West had hoped. More worrying for Washington, the global South hedged its bets. Of the world’s ten most populous countries, only one—the United States— unequivocally backed Ukraine.
The Biden administration recognised the danger. America’s goal, said the National Security Adviser, Jake Sullivan, was ‘a free and independent Ukraine, a weakened and isolated Russia and a stronger, more unified West’. The deputy Secretary of State, Wendy Sherman, put it more succinctly. America, she said, wanted to inflict on Putin a “strategic failure.”
It was déjà vu all over again. The West was returning to the old policies of containment that it had honed during the Cold War, but this time with a more radical objective: not merely to contain Russia but to leave it so diminished that it can never threaten its neighbours again.
If, in the process, a new Iron Curtain descends across the continent, its purpose will be different from that imposed by Stalin to subjugate Eastern Europe. This time the goal is to keep Europe free and the Russians out. Unlike Stalin’s Iron Curtain, it will be enforced by economic weapons rather than watchtowers and barbed wire—a memorial to a Europe that might have been but never came to fruition because leaders on all sides failed to grasp the opportunities offered by the Soviet Union’s demise.
Alors que se brancher à une chaine de télévision étrangère est aujourd’hui d’une grande banalité, grâce aux satellites et à l’Internet, il est fascinant de se souvenir de ce que les générations précédentes prévoyaient pour la communication télévisuelle. Exemple avec cette trouvaille « Worldwide TV », datant de 1951, postée par Harry Moore sur la page Transdiffusion’s All Talk
« Le président du conseil d’administration de RCA (grand fabricant de matériel radio, professionnel et populaire), David Sarnoff, discute des perspectives de la télévision internationale. Il a prédit qu’avant longtemps, les téléspectateurs seraient en mesure d’apporter des événements passionnants de pays lointains à leurs fauteuils d’un simple coup de cadran, le tout à l’instant où ils se déroulent.
Son idée la plus prometteuse est présentée dans l’image ci-dessus, à savoir un réseau de relais micro-ondes distants d’environ une trentaine de kilomètres. Ce réseau prenait déjà forme aux États-Unis, et Sarnoff a souligné qu’il pourrait facilement être étendu de la Patagonie à l’Alaska. Et comme il n’y avait que 64km dans le détroit de Béring, il n’y avait aucune raison technologique pour que le réseau ne puisse pas être ainsi étendu en Eurasie, et de là en Afrique.
Il note qu’il y avait des plans pour une ligne terrestre télégraphique le long de la même route 90 ans plus tôt, qui n’a été abandonnée qu’après le succès du câble télégraphique transatlantique. Une autre idée pour relier l’Amérique et l’Europe était une chaîne d’îles artificielles dans l’Atlantique, 200 miles de distance, chacun avec une tour haute de 300 mètres! »
Worldwide TV: 1951
RCA Chairman of the Board David Sarnoff discussing the prospects of international television. He predicted that before long, viewers would be able to bring exciting events from distant lands to their armchairs with a flick of the dial, all at the instant they’re taking place.
His most promising idea is shown above, namely a network of microwave relays about 20-50 miles apart. This network was already taking shape in the US, and Sarnoff pointed out that it could easily be expanded from Patagonia to Alaska. And since it was only 40 miles acroos the Bering Strait, there was no technological reason why the network couldn’t be thus extended into Eurasia, and from there to Africa. He notes that there were plans for a telegraph land line along the same route 90 years earlier, which was abandoned only after the success of the transatlantic telegraph cable.Another idea for connecting America and Europe was a string of artificial islands in the Atlantic, 200 miles apart, each with a 1000 foot tower. !
« Unlimited tolerance must lead to the disappearance of tolerance. If we extend unlimited tolerance even to those who are intolerant, if we are not prepared to defend a tolerant society against the onslaught of the intolerant, then the tolerant will be destroyed, and tolerance with them. — In this formulation, I do not imply, for instance, that we should always suppress the utterance of intolerant philosophies; as long as we can counter them by rational argument and keep them in check by public opinion, suppression would certainly be unwise. But we should claim the right to suppress them if necessary even by force; for it may easily turn out that they are not prepared to meet us on the level of rational argument, but begin by denouncing all argument; they may forbid their followers to listen to rational argument, because it is deceptive, and teach them to answer arguments by the use of their fists or pistols. We should therefore claim, in the name of tolerance, the right not to tolerate the intolerant. We should claim that any movement preaching intolerance places itself outside the law, and we should consider incitement to intolerance and persecution as criminal, in the same way as we should consider incitement to murder, or to kidnapping, or to the revival of the slave trade, as criminal.”
(Karl Popper, The Open Society and Its Enemies)
“The discovery of instances which confirm a theory means very little if we have not tried, and failed, to discover refutations. For if we are uncritical we shall always find what we want: we shall look for, and find, confirmation, and we shall look away from, and not see, whatever might be dangerous to our pet theories. In this way it is only too easy to obtain what appears to be overwhelming evidence in favour of a theory which, if approached critically, would have been refuted.”
(Karl Popper, The Poverty of Historicism)
Sir Karl Raimund Popper CH FRS FBA was an Austrian-British philosopher, academic and social commentator. One of the 20th century’s most influential philosophers of science, Popper is known for his rejection of the classical inductivist views on the scientific method in favour of empirical falsification.
Souvent il m’est arrivé des râtés dans une conversation. « Quel jours somme nous Martin? » et je répondais « Friday ». Pour mes nombreux amis multi-linguistes – many of whom were at the multinational French Lycée in London, ou bien mes anciens collègues de travail à l’Agence Spatiale Européenne – here is a fascinating study which confirms our frequent mixups when speaking or writing. Le mot dans la mauvaise langue vous vient au lieu de celui de la bonne. Study reported on the BBC News website in its ‘Futur » section : « How our brains cope with speaking more than one language ». J’aimerais bien avoir the reactions of my friends!
Speaking a second or even a third language can bring obvious advantages, but occasionally the words, grammar and even accents can get mixed up. This can reveal surprising things about how our brains work.
I’m standing in line at my local bakery in Paris, apologising to an incredibly confused shopkeeper. He’s just asked how many pastries I would like, and completely inadvertently, I responded in Mandarin instead of French. I’m equally baffled: I’m a dominant English speaker, and haven’t used Mandarin properly in years. And yet, here in this most Parisian of settings, it somehow decided to reassert itself.
Multilinguals commonly juggle the languages they know with ease. But sometimes, accidental slip-ups can occur. And the science behind why this happens is revealing surprising insights into how our brains work.
Research into how multilingual people juggle more than one language in their minds is complex and sometimes counterintuitive. It turns out that when a multilingual person wants to speak, the languages they know can be active at the same time, even if only one gets used. These languages can interfere with each other, for example intruding into speech just when you don’t expect them. And interference can manifest itself not just in vocabulary slip-ups, but even on the level of grammar or accent.
« From research we know that as a bilingual or multilingual, whenever you’re speaking, both languages or all the languages that you know are activated, » says Mathieu Declerck, a senior research fellow at the Vrije Universiteit in Brussels. « For example, when you want to say ‘dog’ as a French-English bilingual, not just ‘dog’ is activated, but also its translation equivalent, so ‘chien’ is also activated. »
As such, the speaker needs to have some sort of language control process. If you think about it, the ability of bilingual and multilingual speakers to separate the languages they have learned is remarkable. How they do this is commonly explained through the concept of inhibition – a suppression of the non-relevant languages. When a bilingual volunteer is asked to name a colour shown on a screen in one language and then the next colour in their other language, it is possible to measure spikes in electrical activity in parts of the brain that deal with language and attentional awareness.
When this control system fails, however, intrusions and lapses can occur. For example, insufficient inhibition of a language can cause it to « pop up » and intrude when you’re meant to be speaking in a different one.
Rather than switching different languages on and off, they are always active in our brains and the unwanted language is inhibited (Credit: Jeffrey Greenberg/Getty Images)
Declerck himself is no stranger to accidentally mixing up languages. The Belgian native’s impressive language repertoire includes Dutch, English, German and French. When he used to work in Germany, a regular train journey home to Belgium could encompass multiple different language zones – and a substantial workout for his language-switching skills.
« The first part was in German and I’d step on a Belgian train where the second part was in French, » he says. « And then when you pass Brussels, they change the language to Dutch, which is my native language. So in that span of like three hours, every time the conductor came over, I had to switch languages.
« I always responded in the wrong language, somehow. It was just impossible to keep up with it. »
In fact, language-switching scenarios – albeit in a laboratory rather than on a train – are often used by researchers to learn more about how multilingual people control their languages. And errors can be a great way to gain insight into how we use and control the languages we know.
Tamar Gollan, a professor of psychiatry at the University of California San Diego, has been studying language control in bilinguals for years. Her research has often led to counterintuitive findings.
« I think maybe one of the most unique things that we’ve seen in bilinguals when they’re mixing languages is that sometimes, it seems like they inhibit the dominant language so much that they actually are slower to speak in certain contexts, » she says.
In other words, a multilingual person’s dominant language can sometimes take a bigger hit in certain scenarios. For example, in that colour naming task described earlier, it can take longer for a participant to recall the word for a colour in their first language when switching from their second, compared to the other way around.
Participants sometimes read out a word in the right language, but with the wrong accent
In one of her experiments, Gollan analysed the language-switching abilities of Spanish-English bilinguals by having them read aloud paragraphs that were just in English, just in Spanish, and paragraphs that haphazardly mixed both English and Spanish.
The findings were startling. Even though they had the texts right there in front of them, participants would still make « intrusion errors » when reading aloud, for example, accidentally saying the Spanish word « pero » instead of the English word « but ». These types of errors almost exclusively happened when they were reading aloud the mixed-language paragraphs, which necessitated switching between languages.
Even more surprising was that a large proportion of these intrusion errors weren’t words that participants had « skipped over » at all. Through the use of eye-tracking technology, Gollan and her team found that these mistakes were made even when participants were looking directly at the target word.
And even though the majority of participants were dominant English speakers, they made more of these intrusion errors for words in English rather than their weaker Spanish – something that Gollan explains is almost like a reversal of language dominance.
« I think the best analogy is, imagine that there’s some condition in which you suddenly become better at writing in your non-dominant hand, » she says. « We’ve been calling this reversed dominance, we’ve been making a really big deal out of it because the more I think about it, the more I realise how unique this is, and how crazy it is. »
This can even happen when we are learning a second language – when adults are immersed in the new language, they can find it harder to access the words from their native language.
Reversed dominance effects can be particularly evident when bilinguals switch between languages in a single conversation, says Gollan. She explains that when mixing languages, multilinguals are navigating a sort of balancing act, inhibiting the stronger language to even things out – and sometimes, they go too far in the wrong direction.
« Bilinguals try to make both languages about equally accessible, by inhibiting the dominant language to make mixing back and forth easier, » she says. « But they sometimes ‘overshoot’ that inhibition, and it ends up coming out slower than the non-dominant language. »
Switching rapidly between languages is when most « language interference » can occur, affecting not just words but pronunciation and grammar (Credit: Getty Images)
Gollan’s experiments also found reversed dominance in another surprising area – pronunciation. Participants sometimes read out a word in the right language, but with the wrong accent. And again, this happened more for English words than Spanish ones.
« Sometimes bilinguals will produce the right word, but with the wrong accent, which is a really interesting dissociation that tells you language control is being applied at different levels of processing, » says Gollan. « And there’s a separation between specification of accent, and specification of which lexicon you’re going to be drawing the words from. »
And even our use of grammar in our native language can also be affected in some surprising ways, especially if you’ve been highly immersed in a different language environment.
« The brain is malleable and adaptable, » says Kristina Kasparian, a writer, translator and consultant who studied neurolinguistics at McGill University in Montreal, Canada. « When you’re immersed in a second language, it does impact the way you perceive and process your native language.
As part of a wider project done for her PhD research, Kasparian and her colleagues tested Italian natives who had emigrated to Canada and learned English as adults. All of them had anecdotally reported that their Italian was getting rusty, and that they didn’t use it much in day-to-day life.
Participants were shown a series of sentences in Italian, and asked to rate how acceptable they were. At the same time, their brain activity was also measured through an electroencephalography (EEG) method. Their responses were compared to those of a group of monolingual Italians living in Italy.
Italian migrants were more likely to reject correct Italian sentences as ungrammatical if these did not match correct English grammar
« There were four different types of sentences, and two of them were acceptable both in Italian and in English, and two of them were acceptable only in Italian, » says Kasparian.
An example of the latter type would be the sentence: « I ladri che arresta il poliziotto attendono in macchina. » (In English: « The thieves that arrests the policeman wait in the car. »)
As it turns out, the Italian migrants were more likely to reject correct Italian sentences as ungrammatical if these did not match correct English grammar. And the higher their English proficiency, the longer they had lived in Canada, and the less they used their Italian, the more likely they were to have found the correct Italian sentences ungrammatical.
They also showed different patterns of brain activity as compared to the Italians living in Italy. Using an electroencephalogram (EEG) to record of brain activity, Kasparian and her colleagues aimed to capture a « millisecond-by-millisecond snapshot » of the electrical activity in participants’ brains as language processing unfolded.
They found that, when presented with the sentences that were grammatically acceptable only in Italian (but not in English), the Italians living in Canada showed different brain activity patterns compared to those back in Italy.
In fact, their brain activity was more consistent with what would be expected from English speakers, says Kasparian, suggesting that their brains were processing the sentences differently to their monolingual counterparts back home.
English relies more on word order than Italian, explains Kasparian. And the migrants were relying more on the English grammar cues, she says, even though they were reading in Italian. « Even a first language can change, even if it’s a language that you’ve used every day for most of your life, » she says.
Immersing yourself in a foreign language is often the best way to learn it, but it can come at the temporary cost of your native tongue (Credit: Getty Images)
Of course, most multilingual people are quite capable of keeping their native language’s grammar straight. But Kasparian’s study, as well as others done as part of her wider research project, show that our languages aren’t just static throughout our lives but shifting, actively competing and interfering with each other.
Navigating such interference could perhaps be part of what makes it hard for an adult to learn a new language, especially if they’ve grown up monolingual.
« Every time you go to speak this new language, the other language is like, ‘hey, I’m here, ready to go’,” says Matt Goldrick, aprofessor of linguistics at Northwestern University in Evanston, Illinois. « So, the challenge is, you have to suppress this thing that is so automatic, and so easy to do, in favour of this thing that’s incredibly hard to do as you’re first learning it.
« You’re having to learn how to pull back on the reins something that you normally never have to inhibit, it just comes out naturally, right? There’s no reason to pull it back. And so that’s I think a very hard skill that one has to develop, and that’s part of why it’s so hard. »
One thing that might help? Immersing yourself in the environment of the foreign language.
« You’re creating a context in which you’re strongly holding back this other language and you’re getting a lot of practice holding back that other thing, so that gives room for the other (new) language to become stronger, » says Goldrick.
Being multilingual can have advantages too when it comes, and some research suggests it can improve multitasking (Credit: Bertrand Guay/AFP/Getty Images)
« And then when you return from that immersion experience, you’re hopefully in a spot where you can better manage that competition, » he adds. « It’s never going to go away, that competition will never go away, you just get better at managing it. »
Managing competition is certainly something that multilinguals do tend to have a lot of practice in. Many researchers argue that this brings them certain cognitive advantages – although it’s worth noting that the jury’s still out on this, with others saying their own research does not show reliable evidence for a bilingual cognitive advantage.
In any case, using languages is arguably one of the most complex activities humans learn how to do. And having to manage multiple languages has been linked to cognitive benefits in many studies, depending on task and age.
Some studies have shown bilinguals perform better on executive control tasks, for example in activities when participants have to focus on counterintuitive information. Speaking multiple languages has also been linked to delayed onset of dementia symptoms. And of course, multilingualism brings many obvious benefits beyond the brain, not least the social benefit of being able to speak to many people.
But although my multilingualism may have brought me some advantages, it hasn’t spared my blushes. Somewhat shamefully, I haven’t been backto that particular bakery since my accidental language slip-up. So, maybe more pastry trips are in order – all in the name of practising language control, of course.
Article by Monica Grady, Professor of Planetary and Space Sciences at the Open University and Chancellor of Liverpool Hope University – Published in The Guardian 17th July 2022
The inspirational JWST is pushing the limits of how far back in time cosmologists can see
Handout of the first image from the James Webb space telescope of the Carina Nebula. Photograph: NASA/PASun 17 Jul 2022 07.30 BSTLast modified on Sun 17 Jul 2022 10.22 BST
On Tuesday afternoon, we were treated to some of the most detailed images of the universe that anyone has ever seen. The pictures were the first to be released from the James Webb space telescope (JWST) and were greeted with joy by astronomers and journalists. The former because the images demonstrated that the telescope was working and the latter because the pictures would be much more pleasing to view on a newspaper’s front page than the candidates for leadership of the Conservative party.
The first images are, literally, wonderful. Specialist astronomers can see details of the birth and death of stars, as well as all the stages in between; and witness gravitational lensing, predicted by Einstein, previously only partially recorded by the JWST’s predecessor, the Hubble space telescope (HST). They continue to rhapsodise about the number and diversity of exoplanets – planets outside the solar system – that the JWST should find, and how instruments on the telescope will be able to detect and analyse exoplanetary atmospheres. The first signature of life on a planet beyond the solar system might be recorded by the JWST.
These discoveries are important and hugely significant – for astronomers and astrophysicists. But how important is the JWST for the much greater number of people for whom the closest they get to the study of stars is a daily read of their horoscope? It is true that increasing the sum of human knowledge is a Good Thing. And that understanding the origin of the universe and the potential for life beyond Earth are questions that drive many scientists (myself included). But is the £8.4bn price tag worth it? What might come from the JWST that benefits us all?
For a start, there is the inspirational value of the images. The simple joy in appreciating their beauty. The colour and texture of the pictures we have seen bring to (my) mind works by some of the finest artists. What would Turner or Monet have been moved to paint if they could have seen the JWST’s shot of the Carina Nebula? How might contemporary artists, including poets and musicians, be inspired by the JWST, enriching all of us with their interpretations?
There are, though, more practical benefits that have already come from the telescope. The real heroes in the JWST story are not the scientists who will interpret the results. Not even the instrument specialists who designed and built the equipment that will detect planets, stars and galaxies. The heroes are the engineers and technologists who built the telescope. If the JWST is pushing the limits of how far back in time cosmologists can see, it has been enabled by engineers pushing at the limits of technology. And whenever technologies advance in one field, opportunities to apply those advances elsewhere inevitably follow.
What advances have (so far) been recognised from the JWST? There are at least two that have resulted from the design of the mirror, the 6.5m gold-plated array of hexagons. In simple terms, a telescope is a bucket to collect radiation – the bigger the bucket, the more radiation can be collected in a period of time. The first picture released from the JWST was of a cluster of galaxies with the less than memorable name SMACS 0723. It had taken just over 12 hours to collect – in comparison with a less distinct version of a similar region produced over several weeks by the 2.4m-wide HST. So, the bigger your bucket – or the wider your mirror – the faster you can obtain an image.
An image from the Mid-Infrared Instrument (Miri) on the James Webb space telescope shows details of Stephan’s Quintet, a visual grouping of five galaxies. Photograph: NASA/AFP/Getty Images
The mirror on the JWST is made from beryllium, a metal that is much lighter than aluminium or glass. It was fabricated as 18 hexagonally shaped plates, and it is from these plates that the first technological spin-out was recognised. The plates have to be flat. Really, really flat, as any distortion would ruin the ability of the telescope to produce useful results. And, remember, the JWST is about a million miles away from Earth, so if anything goes wrong, it cannot be fixed by physical additions to the structure.
The engineers developed an improved sensor to measure how light scattered from the front of the mirror – in effect, looking for humps and bumps in the surface that were less than the width of a human hair in size. This technology has now been implemented in the health sector, for looking for irregularities in the shape of an eye, allowing more rapid diagnosis of ocular problems. It is anticipated that the sensor will also find many other uses – such as detection of swelling in blood vessels and impurities in semi-conductors.
Second, once the JWST arrived at its designated station, the array was unfolded. Each segment had to be aligned, using tiny motors (actuators) to push them into position. Again, the precision required to align the mirrors correctly was to less than the width of a human air. Actuators are widely used in many sectors – and the design of a new generation of even smaller, automatically controlled motors has a range of applications, starting with precision-positioning of surgical instruments through to life detection in hazardous situations. There will doubtless be other benefits, and the beauty of the images will always be with us.
One final thought. It might have escaped your notice, but I have not referred to Nasa’s JWST. This is because it is not Nasa’s JWST. It was designed and built by a consortium: the European and Canadian space agencies (ESA and CSA, respectively) working alongside Nasa.
As part of our membership of ESA, the UK played a major role in the design and build of Miri, the Mid Infrared Instrument on the JWST. The UK has a thriving space industry, with government figures showing it added some £16.5bn to our economy in 2019/20 – sufficient for us to launch two JWSTs of our own. The space sector has a positive growth forecast, despite a shrinking economy, and that’s worth a lot more than any horoscope predictions about gifts from the stars.
« We don’t know what we don’t know, certainly a tautology,
but above all we don’t know where it can lead us »
The « Cosmic Cliffs » of the Carina nebula
Basic elements discovered in an exoplanet
Gas and dust expelled to give birth to new objets
It’s probably too easy to wane lyrical – and employ fancy terms about the significance of the first images from the James Webb Space Telescope, released to great fanfare yesterday by NASA and all of its partners. Others will criticise this approach.
The accolades rained down on all sides for those directly involved: space agencies, managers, designers, engineers, astronomers, as well as in communication and public relations. They had to assert themselves, justify a mission with its images, adding to it a dream, a project that took 25 years to come to life, exceeded budgets and ultimately cost more than 3 billion dollars.
But let’s get back to basics: to a reaction expressed so simply by an astronomer with whom I was able to work a few years ago.
Caroline Porco knows what she’s talking about, having managed the main imaging camera of the Cassini spacecraft which orbited beautifully around Saturn.
About Webb: « What a machine, what a machine!! Just think what astronomers are going to be able to find in these distant galaxies, being born a very, very long time ago, just simple dots now in these images but whose spectra already give us so much information. It makes the brain grow, it’s a reaffirmation of life!«
Great article in the Guardian 17/7/2022
The comparison was made during the presentation: the precision of this machine provides a resolution, an acuity of vision, never reached in space. « A vision that reaches further than we can see ».
I have been more than privileged to participate in many space missions with exuberant engineers and astronomers, so full of passion but also of confidence in their watchmaking precision work. Zero risk does not exist, even in space. Yet the 340 or so critical events for the mission after launch, the deployment of the mirrors, the opening up of the wing-like sun shield and the switch on of its scientific instruments, all went perfectly. Almost miraculous!
Watching after the press conference the beautiful video of the different stages in the construction of this telescope, stages that I got to know on other missions, one trembles at each shot of these people perched in balance to reach a mechanism and who adjust and check the elements of the satellite. Seeing the container arrive in Kourou, one can imagine the extent to which Arianespace had to be as sure, 100% as it could, of succeeding in the task it had been entrusted. And afterwards, the laucher provider to be proud of having put Webb into orbit with a precision that doubled from 10 to 20 years, his projected life.
NASA’s communication effort was immense and we must forgive the video technical incidents in the retransmission – in particular those interrupted or unsucessfull live links in particular with Canada, moments at which the presenter Michelle Thaller was unfazed!
But will NASA and its partners ultimately have shared with a much wider audience the profound significance of this adventure? That science, astronomy, research and above all fundamental research work for society as a whole? [See also, editorial of Le Monde which examines the importance of basic science
This was affirmed by several on the show: « We will discover what we do not know yet ». Joining the phrase of Carl Sagan, a great visionary: « The heavens have some incredible things in store for us that are just waiting to be discovered. »
I have personally known astronomers with such deep thoughts, « poets » or « believers » in something.
And this led me at the end of the day to a reflection: « A serious question: how is it that we always look to the past and with exceptional acuity and that it is impossible for us to foresee the future? Is the answer to be given in astrophysics, philosophy or… poetry?«
It seems that this reflection has found an echo with a few friends, from space and elsewhere.
Sources: images vidéo : NASA, ESA, CSA, and STScI/NASA, ESA, CSA, STScI, and The ERO Production Team
« Broken Bike and Broken Dreams », Wood Print by Carl Purcell
A banker made the economists think this when he said:
“A cyclist is a disaster for the country’s economy: he doesn’t buy cars and doesn’t borrow money to buy. He don’t pay insurance policies. Don’t buy fuel, don’t pay to have the car serviced, and no repairs needed. He doesn’t use paid parking. Doesn’t cause any major accidents. No need for multi-lane highways.
He is not getting obese.
Healthy people are not necessary or useful to the economy. They are not buying the medicine. They dont go to hospitals or doctors.
They add nothing to the country’s GDP.
« On the contrary, each new McDonald’s store creates at least 30 jobs—actually 10 cardiologists, 10 dentists, 10 dietitians and nutritionists—obviously as well as the people who work in the store itself. »
Choose wisely: a bike or a McDonald’s? It’s something to think about.
~ Emeric Sillo
PS: walking is even worse. Pedestrians don’t even buy a bicycle!
*Posted by Jessica Maria Dwyer on Linkedin (https://www.linkedin.com/in/jessdwyer/) **Headerphoto credit: Franz-Michael S. Mellbin (2011)
Stunning moments, special singalongs and a rumour mill in overdrive
A magnificently written article by Alexis Petridis published on 26/6/2022 – The kind of event that rekindles many memories and makes me feel much younger and still proud of being British.
Paul McCartney on the Pyramid stage on Saturday night. Photograph: Joel C Ryan/Invision/AP
Billie Eilish, Self Esteem, Paul McCartney, Olivia Rodrigo, Noel Gallagher, AJ Tracey, Sam Fender and Wet Leg were all electrifying. But where was Harry Styles?
On Saturday afternoon, a Land Rover with Glastonbury’s founder, Michael Eavis, in the passenger seat pulls out of the backstage area, on to a road packed with people that runs between Glastonbury’s Pyramid and Other stages. The crowd don’t just part to let it through: when they realise who’s inside it, they line the sides of the road, not cheering or shouting, but respectfully applauding as it passes.
It’s a sweet and oddly moving scene, and it seems to say something about the first Glastonbury since 2019. Eavis is famous for cropping up in the media towards the end of every festival, loudly proclaiming the preceding days the best Glastonbury ever, an assessment it can be hard to agree with if you have just spent three days watching people’s belongings being washed away, wading through ankle-deep mud or, on one notable occasion, looking on aghast as the operator of an effluent truck presses the wrong button and inadvertently sprays the interior of one of the dance tents with human excrement. You sometimes get the feeling that if a vast sinkhole unexpectedly opened up, swallowing huge sections of the Worthy Farm site, Eavis would stick his head out of it on Sunday afternoon and start waxing lyrical to a reporter about the magical atmosphere and indomitable high spirits in the crowd.
Big-hearted … Sam Fender on the Pyramid stage at Glastonbury Festival 2022. Photograph: David Levene/The Guardian
But this year the atmosphere at Glastonbury does feel a little different. If arriving onsite is a slightly discombobulating experience at first – even for a seasoned Glastonbury-goer, the sheer volume of people feels weirdly overwhelming after spending a significant proportion of the past two years locked in your home – you quickly notice a fresh, benign happiness that is presumably rooted in gratitude that the event is happening at all.
Accordingly, the audiences seem more attentive than usual. The Friday night headliner, Billie Eilish, plays a succession of slow, fragile ballads, but rather than leave in search of something more punchy or easier to bellow along to, the crowd stays and listens. Something similar happens on Saturday morning, when the US trio Gabriels play the Park stage. They sound fantastic – their gospel-trained frontman, Jacob Lusk, has an astonishing falsetto voice, tender and eerie; their sound variously touches on 60s soul, disco and jazz-inflected pre-rock’n’roll pop – but while their songs are beautiful, they are also often measured and opaque. They require close attention, which they get: the crowd seems rapt.
Eilish’s presence at the top of Friday night’s bill also seems to indicate a shift in Glastonbury’s musical boundaries. It’s not just that she is the youngest headlining act in the festival’s history; it’s that she is the first mainstream pop star – as in the kind of pop star that 14-year-olds scream at – to headline the festival. A few years back, it’s hard not to think her presence would have caused controversy – some berk would have got up a keep-Glasto-rock petition about it – but in 2022 it seems to pass without comment.
Billie Eilish headlining Glastonbury’s Pyramid stage on Friday night. Photograph: David Levene/The Guardian
In fact, the bill is studded with mainstream pop stars, including Eilish’s main competitor for tweenage affections, the former Disney starlet Olivia Rodrigo, George Ezra and the Sugababes, who, in a masterly example of what you might call Glastonbury’s idiosyncratic approach to billing, were supposed to appear on the Avalon stage between Nick Mulvey – formerly the master of the steel pan in the left-field jazz act Portico Quartet – and the hoary punk pioneers the Damned.
Even the traditional preposterous Glastonbury rumour about a prospective secret appearance by a huge star seems to have been given a 2022 pop makeover. You quickly lose count of how many people tell you that they have heard it on good authority that Harry Styles is being helicoptered in to make an appearance with Billie Eilish, or Paul McCartney, or possibly with the punishing doom-punk quintet Pigs Pigs Pigs Pigs Pigs Pigs Pigs during their set on the Earache Records stage in Shangri-La.
Olivia Rodrigo on the Other stage. Photograph: Dylan Martinez/Reuters
Traditional alternative guitar rock also seems to be having a resurgence at this year’s festival. Wet Leg cause the festival’s first roadblock, early on Friday afternoon at the Park stage. They attract so many people that it’s impossible to see them – the word is that they are on stage, wearing matching white dresses that make them look like extras from Little House on the Prairie, although it’s difficult to verify if that is true, or just another rumour from the Harry-Styles-is-helicoptering-in-to-sing-Radio-Gnome-Invisible-with-Gong school. It is, however, frequently hard to hear Wet Leg over the sound of the audience singing, or in the case of the fabulously deadpan Ur Mum, screaming along.
Over on the Pyramid stage, Wolf Alice – visibly frazzled by a journey to Glastonbury so chaotic it looked at one stage as if they wouldn’t make it – get a similarly ecstatic, and deserved, reception. There is something really impressive about their ability to suddenly shift pace, from the epic, string-bedecked, stadium-ready balladry of Delicious Things to the snarling noise of Play the Greatest Hits (“a song about getting shitfaced,” suggests the frontwoman, Ellie Rowsell, the kind of statement that is guaranteed to get a cheer at Glastonbury). It is touching how overwhelmed Rowsell – usually an imperious presence on stage – seems by the audience’s reaction.
Something similar happens when Sam Fender plays, bumped up the bill from an afternoon slot thanks to the rapper Doja Cat’s emergency tonsil surgery. His Springsteen-inflected sound and socially aware lyrics – incisive and brave whether discussing toxic masculinity, white working-class disillusionment or father-son relations – have clearly touched a nerve. The title track of his second album, Seventeen Going Under, causes something approaching bedlam in the crowd, which refuses to stop singing its wordless refrain when the song ends. Fender returns to the microphone and joins in; for a moment, it looks as if he is going to cry, before he collects himself and launches into The Dying Light. It’s one of those emotionally charged, career-defining Glastonbury moments that people like to talk about.
Ellie Rowsell and Theo Ellis of Wolf Alice. Photograph: Jim Dyson/Getty Images
By contrast, Billie Eilish doesn’t seem overawed at all. Not, one suspects, a regular festivalgoer – “you guys are troupers, with your tents and shit,” she opines at one point – she nevertheless exudes a hugely appealing confidence, performing a set that is essentially a truncated version of the show she has been touring around arenas the past few months.
Occasionally, some of the between-song chat – heavy on stuff about loving yourself and empowerment – feels more suited to a teen-pop audience than a Glastonbury crowd, but the audience go with it: if she asks them to crouch down then jump, they happily oblige. Her big hits – Bury a Friend, You Should See Me in a Crown, Bad Guy – pack an immense bass-heavy punch and the title track of her most recent album, Happier Than Ever, provides a stunning finale, slowly building into a ferociously angry, pyrotechnic-abetted coda. Curiously, Styles doesn’t appear: perhaps he is over at the Storm stage, MCing over LTJ Bukem’s drum’n’bass set.
On Saturday afternoon, Self Esteem’s appearance on the John Peel stage has a similar effect to Wet Leg and Sam Fender – within minutes of her arrival on stage, you can’t get near the tent, let alone into it, without an unfeasible amount of determination. It adds to the sense that her album Prioritise Pleasure has really captured people’s imaginations, and that its emotional cocktail of fury, brutal self-examination and cathartic joy fits the current mood. It also helps that she is a fantastic performer – in front of a backdrop that reads THERE IS NOTHING THAT TERRIFIES A MAN MORE THAN A WOMAN WHO APPEARS COMPLETELY DERANGED, she punctuates high-kicking choreographed routines with self-deprecating wit – and that she has a knack for writing punchy, smart pop songs.
On the Pyramid stage, in the slot vacated by Fender, AJ Tracey opens a set that skilfully marries UK rap with something close to hard rock – clad in a leather jacket, he is backed by a band, complete with a guitarist who looks as if he is moonlighting from a stoner metal outfit. He opens with a lengthy, angry introduction about the Grenfell Tower fire and the “murderers” responsible.
AJ Tracey. Photograph: Dave J Hogan/Getty Images
It’s not the afternoon’s only moment of heartfelt politicking. The environmental activist Greta Thunberg makes an appearance on the Pyramid stage just before Haim. Up against stiff competition from the platinum-selling Glass Animals over on the Other stage, she essentially does her greatest hits, including righteous anger, withering scorn for world leaders and dire presentiments of catastrophe. The crowd joins in a chant of “climate justice” at the end.
While Eilish and Phoebe Bridgers both mention the overturning of Roe v Wade on stage, it’s Rodrigo who unexpectedly goes in studs up. Visibly upset – “I’m devastated and terrified; so many girls are going to die” – she lists the supreme court justices responsible by name, then brings on Lily Allen to sing her 2009 single Fuck You, running across the stage with her middle fingers raised when she is not duetting.
Greta Thunberg speaking on stage on Saturday. Photograph: Dave J Hogan/Getty Images
It’s a highlight of an unexpectedly triumphant set. Her band offer a noticeably tougher take on the post-punk stylings of her debut album Sour (tellingly, she also covers Avril Lavigne’s Complicated, a song that, terrifyingly, was released before Rodrigo was born). The audience is impressively varied: there are preteen girls on their parents’ shoulders who seem to be word-perfect whenever they are caught on the stage-side screens, but there are also couples old enough to be Rodrigo’s parents singing along to Drivers License.
As the sun begins to set, Burna Boy’s appearance on the Other stage pulls out all the stops, with fireworks, flamethrowers and a confetti cannon during the closer Ye. Larded with Afrobeats horns and a choir, he sounds fantastic. Meanwhile, on the Pyramid stage, effectively warming up for Macca, Noel Gallagher takes an admirably prosaic approach to an audience growing visibly restless at a set toploaded with tracks from his solo albums: “I’m going to play a few more tunes that you don’t give a shit about,” he informs them. “They’re for me. But if you stick around, after that there’s going to be a lot of very happy people in bucket hats.” True to his word, he starts rolling out Oasis singalongs – Half the World Away, Wonderwall, Don’t Look Back in Anger – in due course.
The view from the back of the Pyramid stage during Noel Gallagher’s High Flying Birds’s set on Saturday. Photograph: Yui Mok/PA
Unexpectedly, it’s a theme that is returned to during Paul McCartney’s set. “When we do a Beatles song, all your phones light up and it’s like a galaxy of stars,” he shrugs. “When we do a new song, it’s like staring into a black hole.”
There is certainly more Wings and solo Macca than you might expect, particularly early on. Sometimes, his choices feel entirely justified – Wings’ Junior’s Farm and Nineteen Hundred and Eighty-Five are fantastic songs, while their flop 1975 single Letting Go deserves to be rescued from relative obscurity – and sometimes they amount to pushing his luck a bit, not least when he performs Fuh You, a 2018 collaboration with songwriter-for-hire Ryan Tedder that, with the best will in the world, doesn’t really breathe the same rarefied air as, say, Blackbird; the latter’s opening notes are greeted with a lovely collective sigh from the crowd.
McCartney with a ‘puppyish’ Bruce Springsteen. Photograph: Joel C Ryan/Invision/AP
But perhaps he knows exactly what he is doing. The occasional lulls in the first half of the set potentiate what happens in the second half, which deals almost entirely in the failsafe: Let It Be, Live and Let Die, Hey Jude, two sizeable chunks of the Abbey Road medley. He brings out Dave Grohl to duet on Band on the Run and I Saw Her Standing There, then Bruce Springsteen, who provides another Glastonbury moment by default. The big screens capture the puppyish elation on Springsteen’s face as he and McCartney trade lines on Glory Days and I Wanna Be Your Man; a seventysomething rock legend momentarily turned back into the obsessive Beatles fan he was in his teens, he looks as if he can scarcely believe his luck.
There’s something similarly moving about the sight of McCartney playing I’ve Got a Feeling as a duet with John Lennon’s isolated vocal from the Get Back TV series. He isn’t the first artist to use technology to reanimate a long-deceased musical partner, but the contrast in their voices – McCartney’s audibly aged and fraying a little at 80 years old, Lennon’s frozen in youth – has a real impact. The audience is still singing the refrain of Hey Jude as they wander off into the night, perhaps in search of Styles, who, rumour has it, has helicoptered in to the Acoustic stage to sing Streets of London with Ralph McTell.
FB re-Post by John Archbold on 26/6/2022 Transdiffusion page.
Gerard Rocks : I may be wrong (often am!) but I remember watching that, including The Beatles (singing All You Need Is Love?) And I believe that was one of the first colour RT covers. They were still not very common at that time (except perhaps at Christmas?)
BBC’s Aubrey Singer came up with the idea for Our World. 14 countries broadcast presentations live by satellite to 24 countries for a 150-minute show. The BBC’s legendary contribution was The Beatles singing live with guests. 5 Eastern Europe countries withdrew on political grounds. Participating broadcasters: ABC (Australia) ARD (West Germany) BBC (UK) CBC (Canada) DR (Denmark) NET (USA) NHK (Japan) ORF (Austria) ORTF (France) RAI (Italy) RTT (Tunisia) SR (Sweden) TSM (Mexico) TVE (Spain)
Telstar-1
My comment: Five years earlier the first transatlantic TV transmission were made possible by the lauch of Telstar-1. The satellite lasted only 7 months but was first of a series leading to regular TV live via satellites. Its importance was underlined by the many instrumentals in its honour notably by the Tornadoes. Did it influence me at the time? Years later I became specialised in satellite and space journalism.😉